Clay remembers what humans choose to forget.
This is not craft. This is evidence.
Artist-Researcher
Living Archaeology
Lin Peiann
In every system I work within, there is someone named as needing management, and someone who refuses to see their own condition.
Clay remembers what humans prefer to forget. My practice operates at the intersection of speculative archaeology and living systems.
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Garden of Hope
Hands in clay produce testimony that institutions repackage as fundraising.
[Against Each Other] 2018–present · Taiwan
Geological Extraction
Each layer is a political event that did not make it into the official record.
[Against the Earth] 2023–present · Taiwan
Penghu Chikan
The fragment is evidence. The object it becomes is an accusation.
[Against the Earth] 2021–2022 · Penghu
Light Observatory #7
It is not origin that determines who is cleared. It is who controls the design.
Aug 2025 · Netherlands