AKAMU，這地。AKAMU means this place.

AKAMU 意指「這地」：此時、此地，你腳下那片具體的土地。

它不是一個品牌，而是一個位置。

以此為名的所有研究、田野與器物，都來自一個具體的地方、一個具體的時間，以及一個在場的身體。

AKAMU means this place, the here, the now, the specific ground under your feet.

It is not a brand. It is a position.

All research, field work, and objects made under this name come from a specific place, a specific time, and a body that was present.

林霈安是一位藝術研究者與設計策略者，創作橫跨推測考古、材料實踐與社會設計。她創立了 AKAMU，這個名字意指「這地」：每一次創作中，那片具體的土地、時間與在場的身體。

她的創作從田野開始：在台灣各地的地景中採集沉積物、與澎湖漁村社群共同工作，並與勵馨基金會合作，長期為家暴倖存者帶領陶藝工作坊。她所創作的器物如同「未來化石」，是人與自然之間關係的物質見證。

她目前就讀國立成功大學創意產業設計研究所碩士班，並參與國際藝術駐村計畫，包括荷蘭的 Light Observatory #7。

Lin Peiann is an artist-researcher and design strategist working at the intersection of speculative archaeology, material practice, and social design. She is the founder of AKAMU, a studio whose name means this place, the specific ground, time, and body present in every act of making.

Her practice begins in the field. She collects sediment from Taiwanese landscapes, works with fishing communities in Penghu, and, with The Garden of Hope Foundation, runs long-term ceramic workshops with survivors of domestic violence. The objects she makes function as future fossils: material evidence of the relationship between humans and the natural world.

She is currently completing a Master’s degree at the Institute of Creative Industries Design, National Cheng Kung University, and is a participant in international artist residencies including Light Observatory #7 in the Netherlands.